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Giuseppe Maria Crespi The Death of St.Joseph 1712
The Hermitage, St.Petersburg
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Giuseppe Maria Crespi The Flea 1710-30
Galleria degli Uffizi, Florence
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Giuseppe Maria Crespi Self Portrait_a 1700
The Hermitage, St.Petersburg
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Giuseppe Maria Crespi Aeneas with the Sybil Charon 1700-05
Art History Museum, Vienna
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Giuseppe Maria Crespi Woman Playing a Lute 1700-05
Museum of Fine Arts, Boston
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Giuseppe Maria Crespi The Death of St Joseph (san 05) ca 1712 (Inv No 25)Oil on canvas 92 x 73 1/2''(234.5 x 187 cm)(Ex coll Bruhl Dresden 1769)
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Giuseppe Maria Crespi The Flea mk86
c.1707-1709
Oil on copper
46x34cm
Florence,Galleria degli Uffizi
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Giuseppe Maria Crespi Aeneas with the Sybil and Charon mk150
c.1700
Canvas
129x127cm
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Giuseppe Maria Crespi Scene in a Cellar mk159
c.1710
Oil on canvas
52.5x42cm
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Giuseppe Maria Crespi Confirmation 1712
Oil on canvas,
125 x 93 cm
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Giuseppe Maria Crespi Saul Attacking David 1710-15
Oil on canvas
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Giuseppe Maria Crespi Searcher for Fleas c. 1730 Oil on canvas
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Giuseppe Maria Crespi Frau spielt Laute 1700-1705
Oil on canvas
121.3 x 153.0
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Giuseppe Maria Crespi Jupiter Among the Corybantes (Korybantes), Kimbell Art Museum Source/Photographer Kimbell Art Museum
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Giuseppe Maria Crespi aeneas med sibyllan och charon 1700-05
pa duk 127x129cm
se
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Giuseppe Maria Crespi Frau spielt Laute Medium Oil on canvas
Dimensions 121.3 x 153.0
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Giuseppe Maria Crespi Cupids Frollicking ca. 1700(1700)
Oil on copper
cjr
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Giuseppe Maria Crespi Cupids Frollicking ca. 1700(1700)
Medium Oil on copper
cyf
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Giuseppe Maria Crespi Count Fulvio Grati ca. 1720(1720)
Oil on canvas
228 ?? 153 cm (89.8 ?? 60.2 in)
cjr
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Giuseppe Maria Crespi Self-portrait ca. 1700(1700)
Oil on canvas
60 x 50 cm (23.6 x 19.7 in)
cjr
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Giuseppe Maria Crespi
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1665-1747
Italian
Giuseppe Maria Crespi Locations
1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
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